The legendary Chelsea Hotel, an icon of 1960s counterculture and a haven for famous artists and intellectuals including Patti Smith, Janis Joplin and the superstars of Warhol’s Factory, is under renovation. Soon it will reopen to the public as one of New York’s most fashionable luxury hotels. 　　Dozens of people, most in their later years, still live amidst the scaffolding and constant construction. Against this chaotic backdrop, the film takes us through the hotel’s storied halls, exploring its living body and the utopian spirit that contribute to its mythical stature. Its residents, casualties of capitalism, and the walls themselves now face a turning point in their common history.

久里洋二作品集[Yoji.Kuri.Animated.Film.Works](1960-1977) 　　http://www.douban.com/note/228425752/

1991年戛納電影節導演雙週單元。作為“大正三部曲”的壓軸之作，本片充滿了肉 欲 色情與荒誕的色彩，講述的是一個鬼故事，圍繞著日本著名畫家兼詩人竹久夢二 (1884-1934)這個角色以及他的作品。角色被導演想象為一名由前搖滾明星澤田研二扮演的沉迷白日夢的花花公子，他終日為尋覓女色及死亡恐懼所困。他先後愛上了許 多女子，卻無一被他俘虜芳心。同時，他還不斷與同行對手過招，卻無法戰勝他們。為了向鈴木清順致敬，香港著名導演王家衛在《花樣年華》中採用了梅林茂的電影配樂，最早則來自該片《夢二》。

1991年戛納電影節導演雙週單元。作為“大正三部曲”的壓軸之作，本片充滿了肉 欲 色情與荒誕的色彩，講述的是一個鬼故事，圍繞著日本著名畫家兼詩人竹久夢二 (1884-1934)這個角色以及他的作品。角色被導演想象為一名由前搖滾明星澤田研二扮演的沉迷白日夢的花花公子，他終日為尋覓女色及死亡恐懼所困。他先後愛上了許 多女子，卻無一被他俘虜芳心。同時，他還不斷與同行對手過招，卻無法戰勝他們。為了向鈴木清順致敬，香港著名導演王家衛在《花樣年華》中採用了梅林茂的電影配樂，最早則來自該片《夢二》。

Production Co: Studio Se-Ma-For 　　Short art film from Polish Animator Piotr Dumala. Created 1988. Credits. Direction, Animation and Writt ing - Piotr Dumala. Cinematography - Grzegorz Swietlikowski Music - Przemyslaw Gintrowski Won Best Score and the Golden Dragon award at Cracow Film Festival 1988. Won Best film Between 5 - 10 minutes at Ottawa International Animation Festival 1988.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. 　　His path is open - at least as far as the next wall... 　　A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 　　1966 Special Prize, London 　　1966 First Prize, San Francisco 　　1966 First Prize, Belgrade 　　1966 Honorary Diploma, Locarno 　　1966 City of Zagreb Award 　　1966 Special Diploma, Bergamo 　　1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 　　本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。

一段人类历史上最黑暗的过去，陷入法西斯狂热的哥哥，因法西斯失去年轻生命的弟弟，总有很多人为少数人伪装过的私欲所操纵，并终将被自己建起的围墙所囚禁。